Hungarian Studies Review Vol. 9., 1982

No. 1. Spring

Hungarian Studies Review, Vol. IX, No. 1 (Spring 1982) Our Contributors MARIANNA D. BIRNBAUM first published in the Canadian-American Review of Hungarian Studies in 1979. She teaches Hungarian language and literature and comparative Ugric folklore at the University of California, Los Angeles. MARLENE RADAR is a Ph.D. Candidate in Comparative Literature at the University of Alberta. Ms. Radar's dissertation topic was "Literature and Politics in the 1930s: Partisan Review and the Surrealists." In 1978-79, as a recipient of the Canada-Hungary Exchange Fellowship, she studied the Hungarian ballad tradition at the Folklore Institute of the Hungarian Academy of Sciences. Ms. Radar's articles have appeared in the Canadian Review of Comparative Literature, and NuWest Review. Marlene Kadar presently works as freelance writer and editor. GRAHAM PETRIE teaches film courses at McMasters University in Hamilton, Ontario. His books include The Cinema of Francois Truffaut (New York: A.S. Barnes, 1970) and History Must Answer to Man (Budapest: Corvina, 1979). Dr. Petrie's articles have appeared in Film Quarterly, Film Comment and Sight and Sound, as well as in such literary quarterlies as Yale Review and Georgia Review. His current research deals with some of the European film makers who worked in Hollywood during the 1920s, among them Alexander Rorda and Paul Fejos. ANNA KATONA first published in the Canadian-American Review of Hungarian Studies in 1977. She is Professor of English at the College of Charleston, Charleston, South Carolina.

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