Metropolis, 1998-1999 (2. évfolyam, 2-4. szám - 3. évfolyam, 1. szám)

1998-06-01 / 2. szám

<r£> 1998 nyár Sesonske, Alexander: Cinema Space. In: Explorations in Phenomenologhy. (eds. David Carr, Edward S. Casey) The Hague: Martinus Nijhoff, 1973. SESONSKE, Alexander: Time and Tense in Cinema. Journal of Aesthetics and Art 38 (1980) no. 2. pp. 419-426. Smith, Margareth: Cognition, Emotion and Cinematic Narrative. Post Script 13 (1993) no. 1. pp. 30-45. Staiger, Janet: Interpreting Films. Studies in the Historical Reception of American Cinema. Princeton: Princeton University Press, 1992. STERNBERG, Mein Expositional Modes and Temporary Ordering in Fiction. Baltimore: Johns Hopkins University Press, 1978. STEWART, Garett: Photo-gravure. Death, Photography and Film Narrative. Wide Angle 9 (1987) pp. 11—31. STEWART, Garett: Reading Voices. Literature and the Phono­­text. Berkeley: University of California Press, 1990. STUDLAR, Gaylyn: Masochism and the Perverse Pleasures of Cinema. Quaterly Reveiew of Film Studies 9 (1984) no. 3. pp. 267-282. Szilágyi Gábor: Cselekmény, elbeszélés, képmező. Filmkultúra 30 (1995) no. 5. pp. 5-2. SZILÁGYI Gábor: Film és cselekmény. A szöveg/'cselekmény fogalma és modellálása a filmen. Budapest: Magyar Filmtudományi Intézet és Filmarchívum, 1983. SZILÁGYI Gábor: A filmkép harmadik jelentése. Filmkultiíra 31 (1995) no. 9. pp. 14-12. SZILÁGYI Gábor: Formaesztétika és strukturalista szemiológia. Filmkultúra 31 (1995) no. 8. pp. 12-9. SZILÁGYI Gábor: Új film - új szemiológia. Filmkultúra 31 (1995) no. 10. pp. 9-7. SWEENEY, Kevin W.: The Dream of Disruption. Melodrama and Gag Structure in Keaton’s Sherlock Junior. Wide Angle 13 (1991) no. 1. pp. 101-120. Telotte, J. R: Dancing the Depression. Journal of Popular Films 8. (1980) no. 3. pp. 15-24. TELOTTE, J. P: Siodmak’s Phantom Women and Noir Narrative. Film Criticism 11 (1987) no. 3. pp. 1-10. TELOTTE, J. R: The Big Clock of Film Noir. Film Criticism 14 (1980-1990) no. 2. pp. 1-11. Theories of Autorship. A Reader, (ed. John Caughie) London: Routledge & Kegan Paul, 1981. THOMPSON, Kristine: Breaking the Glass Armor. Neoformalist Film Analysis. Princeton: Princeton University Press, 1988. Todorov, Tzvetan: The Two Principles of Narrative. Diacritics 1 (1971) no. 3. pp. 37-44. Todorov, Tzvetan: Introduction ä la literature fantastique. Paris: Seuil, 1970. Todorov, Tzvetan: Categories of the Literary Narrative, (trans. Ann Goodman) Film Reader 2 (1977) pp. 19-37. TODOROV, Tzvetan: Poétique de la prose. Paris: Seuil, 1971. TODOROV, Tzvetan: Genres du discours. Paris: Seuil, 1978. TODOROV, Tzvetan: Théories du Symbole. Paris: Seuil, 1977. TODOROV, Tzvetan: Sémantique de lapoésie. Paris, Seuil, 1979. TOOLAN, Michael J.: Narrative: A Critical Linguistic Introduction. New York: Routledge, 1988. Turim, Maureen: Flashbacks in Film. Memory and History. New York: Routledge, 1989. TURNER, Dennis: Film Noir and the Apparatus of the Fetish. Introduction to Flickerings of Black and White. Structuralist Review 2 (1984) no. 1. pp. 34-43. VAJDOVICH Györgyi: Az elbeszélés rombolása. A francia Új Regény hatása a filmre. Metropolis 2 (1998) no. 2. pp. 52-58. VAUGHN, Dai: The Space Between Shots. In: Movies and Methods. An Anthology 2 (ed. Bill Nichols) Berkeley: University of California Press, 1985. White, Hayden: The Content of the Form. Narrative Discourse and Historical Representation. Baltimore: John Hopkins University Press, 1987. Wide Angle 8(1986)nos. 3-4. pp. 4-127. Narrative- Non-Narrative - különszám. Wilson, George M.: Narration in Light. Studies in Cinematic Point of View. Baltimore: John Hopkins University Press, 1986. WOLLEN, Peter: Signs and Meanin in the Cinema. Lomdon: Seeker and Warburg, 1969. WOOD, Robin: Narrative Pleasure. Two Films by Jacques Rivette. Film Quaterly 37 (1981) no. 4. pp. 2-12. Wood, Robin: The Incoherent Text. Narrative in the 70’s. Movie 27-28 (1980-1981) pp. 24-42. WOOD, Robin: Personal Views. Explorations in Film. London: Gordon Fraser, 1976. YOUDELMAN. Jeffrey: Narration, Invention, and History. A Documentary Dilemma. Cineaste 12 (1982) pp. 8-15.

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